Loud Music

New Jersey post-hardcore act Thursday has a lot to be proud about. Being credited with bringing the screamo genre to the mainstream level as well as have been labeled in 2004 as SPIN magazine’s “The Next Big Thing” are just a couple of reasons why. This six-piece did not invent the screamo genre but rather took it to a new level. With all they have accomplished I can not believe they have been a band for just over ten years now. 

Currently the band is about to release their fifth full-length album, entitled Common Existence. This time around the band has teamed up with the punk rock independent label Epitaph Records and hopes to continue to wow their fans while, at the same time, recruit new ones. The band will be headlining the Taste Of Chaos tour this year in support of their new release alongside rousing acts Bring Me The Horizon, Four Year Strong, Pierce The Veil, and the Cancer Bats.

Just in case you have no idea what screamo exactly is, imagine melodic emo music mixed with post-hardcore fury and occasional throat-destroying screaming throughout. Some find the music terribly annoying but there are many like myself who can not get enough.  I just love the fragile, sorrow feel during some songs only to be smacked over and over with screams not many can endure. The first time I heard screamo was actually the first time I listened to Thursday’s debut with Victory Records called Full Collapse and I admit I was highly entertained. 

I had already gotten a preview of the CD single “Resuscitation Of A Dead Man” earlier this year when the band streamed the song on their website, but it was not until this second helping that I realized how great of a song it is. Less screamo and more hardcore is all I can think about on this track that features Rise Against’s Tim McIlrath contributing vocals. “Last Call” follows with Geoff Ricky’s all-so-familiar, lamenting vocals. 

Previously appearing on the band's 2008 split EP with Japanese hardcore band Envy was “As He Climbed The Dark Mountain.” The song hinted towards Thursday’s juvenile years with more of their signature screamo fashion but came with a twist as heavy distortion and pitch shifts dominated throughout. 

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